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Get Free Ebook Match Me If You Can: A Novel

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Match Me If You Can: A Novel

Product details

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Audible Audiobook

Listening Length: 11 hours and 19 minutes

Program Type: Audiobook

Version: Unabridged

Publisher: HarperAudio

Audible.com Release Date: August 29, 2005

Language: English, English

ASIN: B000B7FYS0

Amazon Best Sellers Rank:

Even though the romance between Heath and Annabelle took a long time to develop, the book was one of SEP's best. All her books are great- even the not so great ones- compared to other romance novels. Not to mention that it is one of the funniest ones I have read from her that did not detract from the story as a whole-which some of her other novels did.Heath is a self-made multi-millionaire sports agent-think Tom Cruise in Jerry McGuire-that has been climbing the social ladder since his trailer- park childhood, which gave him the drive to achieve more for his life. He feels that it is high time to settle down and find a pedigree wife; but with his hectic schedule finding such a paragon of class all by himself is not viable.This is wear our hapless yet adorable Annabelle comes along. She had inherited a home-based matchmaking company for seniors from her grandmother and had just started to update it and launch it for the modern market. Because of a friend's connection with Heath, she landed an interview with him to see if he would hire her to do the job that a multi-million matchmaking company had thus far failed to accomplish.The book had all of SEP's traits that has made her so successful-the writing is fantastic, the dialogue hilarious, the character development always thourough and in depth.But there was something missing in this book that really frustrated me--the ROMANCE development took WAY too long!!!... which is not what SEP usually does. At lease Annabelle had ruminations about Heath and her feelings for him, but even those were very limited. Heath's ruminations and conflict about Annablle were non existent up until the love making scene, which was towards the end of the book.But even with those major complaints-I just wanted more romance development between the two of them because I loved them so much-it did not affect my rating and recommending this book to any romance reader; this just tells you how good this book really is!!

She may be the black sheep of her uber-successful family, but Annabelle Granger marches to the beat of her own drum. She's taken over her grandmother's matchmaking business, renamed it Perfect for You, and is determined to make it successful. As part of the quest to do so, she's gotten one of her best friends to set up a meeting with one of the most eligible bachelors in town, rich, gorgeous sports agent, Heath Champion. Annabelle may not have the first clue why Heath would need to go to a matchmaker to find a wife, but he's contracted with a rival agency and Annabelle is convinced she can get him to become a client of hers if she just meets him.And things go exactly as planned...sorta. Well, okay, not really. Champion is an arrogant, overly entitled workaholic jerk and his demands are ridiculously unreasonable. Still, he's made a small concession and Annabelle sets her sights on making the most of the opportunity he's granted.He's also sexy as hell...not that she's given that any thought.Heath Champion has risen from poverty and survived an abusive father to become a self-made and highly educated man. He's an excellent agent and he dedicates his life to his clients. Now that he's approaching thirty-five he figures it's time he finds a suitable wife, but with his schedule he hardly has time. So he does the most practical thing he can think of; he hires a matchmaking firm to do it for him. Limiting his introductory meetings to twenty minutes, the ladies of Chicago are brought to him one by one between phone calls and business dealings, and it's going moderately well, he thinks. Until Annabelle walks into his office, late, looking bedraggled, and spouting off about her own matchmaking abilities. Two working to find him a wife has to be - at least marginally - better than one, no matter how little faith he has in Annabelle's dubious skills. Something about her, though, challenges him, and her absolute lack of suitable subservience to him is appealing in its own right.And she's sexy as hell...not that he's given that any thought.Susan Elizabeth Phillips has a fantastic romp in Match Me If You Can. Heath and Annabelle are great lead characters, and their dialogue is sassy, sarcastic, and so very much fun. The chemistry between them, first as friends, then as lovers, is some of the best in the genre, and Phillips is particularly good at the slow but realistic development of the relationship between them. Each character has personal issues and a few inner demons that add some depth and angst to the story and provides opportunity for personal development, and the arc of the story is fleshed out nicely with a strong supporting case of secondary and ancillary characters.While it could be said that the concept of the story borders on the silly, and the actions of both Annabelle and Heath sometimes tread the line between fantastic and farce, for a light read that's pure humorous enjoyment, this book has made it to the big game and delivered more than just nifty commercials.I wish I'd been as pleased with the minor plot thread of the relationship between Bodie and Portia, but I had a hard time with that one. It just didn't work for me. Maybe if it had been given a bit more room to grow and the characters afforded more development I would have been able to buy into it more than I did. Instead, I found Portia to be largely irredeemable until close to the very end and there wasn't enough provided for me to find her sympathetic through most of the book. I liked Bodie well enough, but again, would have preferred to have seen a bit more of him to get a better handle on him as a character. There were some deep issues motivating Portia, and some juicy details about Bodie's past. I think they could have supported their own story much better in a longer format.I wasn't totally sold on the conclusion of Match Me If You Can, either. The story was moving right along and getting to the meat of the central conflict between Heath and Annabelle, and things just went a little wonky. The inevitable blow up occurred a little abruptly and was resolved a little quickly for my taste given the depth of the issues each character has at the time. I appreciated the epilogue quite a bit, though, and the nifty way the book was wrapped up.From strictly a story perspective, I wouldn't say Match Me If You Can is perfect, but it was solidly good and a lot of pure, fun entertainment. I know it's the sixth book of the Chicago Stars series, but it worked well as a stand alone. I haven't read the first five books, so I can speak with authority (albeit a subjective one) on that. I can also say I enjoyed this one so much that I purchased the series opener, It Had to Be You so I could start the Chicago Stars series from the beginning.Phillips has a smooth, pleasant writing style and creates likable characters, putting them into sizzling situations (though sometimes that sizzle comes from the hotheadedness of her characters), much to a reader's supreme enjoyment. I'm looking forward to spending much more time in the Chicago Stars world. Similarities exist between this series and Kate Angell's Richmond Rogues series - though that one is centered around baseball. I'll be interested in seeing how those similarities - and differences, too - evidence themselves as I progress with this series. I've enjoyed the Rogues series so far, and things are looking just as good, if not better, in Phillips' Chicago Stars series.Reviewed for One Good Book Deserves Another.

Compared to all SEP's other work, Match Me was a let down. I love all her football series starting w/ it had to be You - and she has great characters but the story lacked the depth that she usually works into her characters. It was too pat that Bodie was rich and connected. And at the end, Heath has one session with her family and loves them to bits and we are supposed to buy into his idea of the family dynamics. In SEP's other stories like Nobody's Baby...the family felt real. Here- throughout the story SEP has them set up as some kind of irritant who always put her down and belittle her and so when they finally "root" for her, I just didnt buy it and I didn't even like them. So the end - where the hero grovels to the heroine - also didnt work- which is a shame because it worked really well in every other book of hers. Of SEP's work,my favorites have been Heaven Texas and Nobody's Baby.... Can anyone tell me why it doesn't work? Please, please let Dean Robillard's story have all the weight and humor of her older work.

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Product details

Print Length: 336 pages

Publisher: Currency (June 4, 2019)

Publication Date: June 4, 2019

Sold by: Amazon Digital Services LLC

Language: English

ASIN: B07H754TT1

Text-to-Speech:

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Amazon Best Sellers Rank:

#41,971 Paid in Kindle Store (See Top 100 Paid in Kindle Store)

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About the Author

Saadia Faruqi is a Pakistani American writer, essayist and interfaith activist. She writes for a number of publications including the Huffington Post, and is editor-in-chief of Blue Minaret, a magazine for Muslim art, poetry and prose. Her adult short story collection Brick Walls: Tales of Hope & Courage from Pakistan was published in 2015. She resides in Houston, TX with her husband and children.

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Product details

Age Range: 5 - 8 years

Grade Level: Kindergarten - 2

Series: Yasmin

Paperback: 96 pages

Publisher: Picture Window Books (March 1, 2019)

Language: English

ISBN-10: 151584272X

ISBN-13: 978-1515842729

Product Dimensions:

5.5 x 0.5 x 7.2 inches

Shipping Weight: 5.1 ounces (View shipping rates and policies)

Average Customer Review:

5.0 out of 5 stars

3 customer reviews

Amazon Best Sellers Rank:

#43,442 in Books (See Top 100 in Books)

Saadia Faruqi is one of my and my 6-year-old daughter's favorite authors! This is a delightful followup to MEET YASMIN. My daughter especially loved the craft suggestion in the back, and within an hour of getting this book for her birthday she'd already made a superhero puppet. We can't wait for more Yasmin in the future!

Great buy :-)

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From Distant Days: Myths, Tales, and Poetry of Ancient Mesopotamia

Product details

Paperback: 446 pages

Publisher: CDL Press; 1 edition (March 1, 1995)

Language: English

ISBN-10: 1883053099

ISBN-13: 978-1883053093

Product Dimensions:

6 x 8 x 9.2 inches

Shipping Weight: 1.3 pounds (View shipping rates and policies)

Average Customer Review:

4.4 out of 5 stars

7 customer reviews

Amazon Best Sellers Rank:

#451,110 in Books (See Top 100 in Books)

This has just about everything, although, as the author notes in his preface, this is an abridgment of an earlier work, Before the Muses: Anthology of Akkadian Literature. The selections are arranged by type, beginning with myths and epics--the Enuma Elish and a composite Akkadian flood story--and working its way through deeds of kings, hymns, prayers, proverbs, magic spells, elegies and celebrations. There is also some satire--a land deed drawn up for birds and a curse against a bleating goat.Foster provides an introduction to each piece, and to sections of the longer pieces. There are gaps in most narratives, and Foster notes them. He also provides footnotes explaining the more obscure points and allusions, as well as some issues with translations. At points, it is less than a leisurely read, but Foster seems determined to present the material in plain but telling language.I have quoted often from the book and return to it frequently. One piece, an elegy for a woman who died in childbirth, has always moved me. It is told from the point of view of the dead woman. After remembering a happy life with her husband, she says that the day she went into labor, her face "grew overcast." Despite her pleas and the pleas of her husband to Belet-illi, the goddess of childbirth, "shrouded her face" She concludes:[All... ] those days I was with my husband,While I lived with him who was my lover,Death was creeping stealthily into my bedroom,It forced my from my house,It cut me off from my lover,It set my foot toward the land from which I shall not return.

With this book, you receive, more than by any scientific book, a vivid description of the ancient times in Sumeria and Babylonia. Although many of the translations are of a scientific nature, you can get a good feel of the literary qualities of the ancient scribes. The power of repetition, the suspense-like lamentations, are a joy to read. After reading this book, I really wondered: how much did we progress on a literary level?

Benjamin Foster's book contains many original compositions from the major literary genres of Sumero-Akkadian culture: myths, king epics, omen literature, prayers, lamentations, love lyrics, wisdom literature, magic spells, and even humor. Indeed, although the Epic of Gilgamesh is noticeably absent, "From Distant Days" is one of the most comprehensive Mesopotamian anthologies available for the general reader.Foster's introduction lays down the organization of the book and describes many of the structural markers used in Sumero-Akkadian literature. Each presented composition is also accompanied by an appropriate description that gives context for the modern reader. The translations in this book are very readable, with lacunae and omissions clearly marked. Also, the translations are current as of 1995, and include versions that are considerably more complete in some cases than ones available in other widely available anthologies.My favorite parts of the book focused on the wisdom literature and lamentations, since the subject matter dealt primarily with human feelings and experiences, rather than monotonous praise of the gods. I was amazed at how the feelings expressed in these 3000-4000 year old compositions still managed to strike a chord of resonance with me. One also cannot help but notice the many parallels that exist between the Bible and the older literary corpus of Mesopotamia.For the reader who is looking for a good anthology of Mesopotamian literature, I would readily recommend "From Distant Days". Furthermore, I believe this book along with two others would form an authoritative collection of Sumero-Akkadian original compositions translated into English. The two other books are "The Epic of Gilgamesh" by Andrew George (ISBN 0140449191) and "The Harps that Once..." by Thorkild Jacobsen (ISBN 0300072783).

FROM DISTANT DAYS : Myths, Tales, and Poetry of Ancient Mesopotamia. Translated by Benjamin R. Foster. 438 pp. Bethseda, Maryland : CDL Press, 1995. ISBN 1-883053-09-9 (pbk.)I currently have three anthologies of Sumerian-Akkadian literature on my shelves: Stephanie Dalley's 'Myths from Mesopotamia' (1989), Thorkild Jacobsen's 'The Harps That Once' (1987), and the present book. All three are by specialists and are designed for the general reader; all, within the limits of their shared conventional viewpoint, are excellent; and anyone with a serious interest in this remote and fascinating literature will want to have all three.Of the three, Dalley's is the most 'technical' translation, in the sense that it has far more extensive footnotes, and that it wisely prefers to retain original terms such as "Kurnugi" (page 155), instead of offering essentially misleading equivalents such as "Netherworld" (Foster, page 78) or "Hades" (Jacobsen, page 207 ff). Her translations also seem to me to be the most vigorous, but that's just a personal feeling, and all three of these tranlations are wonderfully readable.Foster tells us that the present book is "a selection, rearrangement, and abridgement of 'Before the Muses, An Anthology of Akkadian Literature' (Bethseda, MD : CDL Press, 1993)" (page vii). His substantial anthology is organized as follows : 1. Gods and Their Deeds; 2. Kings and Their Deeds; 3. Divine Speech; 4. Hymns and Prayers; 5. Sorrow and Suffering; 6. Love and Sex; 7. Stories and Humor; 8. Wisdom; 9. Magic Spells.As is the case with the Dalley and Jacobsen anthologies, all texts have been provided with their own brief introductions, and all gaps and losses of text in the original tablets have been indicated in the translations, though Foster's texts are much more lightly annotated. His book opens with a short 8-page Introduction, and is rounded out with a Glossary of Proper Names, but lacks both a Bibliography and an Index.The book has clearly been designed as a reader's edition, with minimal impedimenta in the way of notes and so on that might interfere with the reader's enjoyment of the texts. Foster tells us that those who want to learn more about these texts, or to read further in Akkadian Literature, should consult his much fuller 2-volume work, 'Before the Muses.'The book is well-printed on excellent paper in a large clear font that might have been a bit heavier, is bound in glossy wrappers, and has one of those abominable glued spines that crack when opened. I wonder what happened to stitching?Here, as a brief example of Foster's style, are the opening lines of his 'When Ishtar [i.e., Inanna] Went to the Netherworld,' with my obliques added to indicate line breaks :"To the netherworld, land of n[o return], / Ishtar, daughter of Sin, [set] her mind. / Indeed, the daughter of Sin did set her mind / To the gloomy house, seat of the ne[therworld], / To the house which none leaves who enters, / To the road whose journey has no return, / To the house whose entrants are bereft of light..." (page 78).Those with access to the Dalley and Jacobsen will find it interesting to compare Foster's version with theirs. His rhythms seem a little more stately and relaxed, a little less vigorous, and he seems less sparing of words. But, as I've indicated, all three books, though differing in flavor, are intensely readable, and we should be grateful to Professors Dalley, Jacobsen, and Foster, for the enormous labors which must have gone into them.What I said in my review of Jacobsen applies equally here. The limits of Foster's book are the limits of the official point-of-view. Within these limits his book becomes a labor of love, a wonderfully readable literary treatment of some of the world's most ancient, fascinating and beautiful literature by a noted authority, and one that can be strongly recommended to all sensitive readers.Readers, however, shouldn't take Foster as gospel but as something vastly more interesting, since what Ishtar/Inanna may well have been visiting was not the "Netherworld" but the mines of Africa. But to understand this you'll have to read linguist and scholar Zechariah Sitchin's 'The 12th Planet.' Only he provides a framework in which all becomes intelligible.

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